This week I have been exploring the use of mirrors as part
of my sculptures. I created one half of the sculpture and allowed the
reflection of the mirror to create the other half. Not only am I creating the
illusion of space but I am also showing how the space we occupy dictates our perception
of an object. In the sculpture the viewer can see two opposing views of the
sculpture simultaneously. Above are some examples of observational drawings
from my sketchbook that I drew in order to transfer my 3D pieces back into 2D
as well as to get a better understanding of how the sculpture itself. I also
began making a series of sculptures in clay. With these pieces I will begin to
explore colour in relation to the sculptures and how colour may affect how the
viewer perceives the piece.
Followers
Friday, 26 October 2012
Friday, 19 October 2012
Week Five
This week I continued my exploration around how we perceive space.
Again I have altered the space that the sculptures occupy which changes how the
piece is viewed. I have hung the sculptures from a wooden frame which adds
borders to the space the 3D piece occupies and makes the space much smaller.
The frame also gives more obvious viewpoints to observe the piece from. I also
experimented with different materials this week. So far I have been working
with the idea that the sculpture is a three-sided, concave box with another box
or design occupying the space within it. However I made an inverse of this
design in clay making a solid box with a block missing from it. I also
experimented with mirrors to create the illusion of space using a half of the
sculpture and allowing the mirror to create the other half. Next week I plan on
creating more pieces in clay and I may also start experimenting with print so
that I am transferring the idea between 3D and 2D.
Wednesday, 17 October 2012
Kitty Kraus
Below is a sculptural piece from Kitty Kruas. The piece
deals with infinite space, the relationship between light and space, the representation
of space, how we perceive space and translating a space into something else. A
light is placed within a box, which has mirrors on its interior walls; the
reflected light leaks out from the small divides left in between the boxes walls.
The light is left to rest on the outer walls of the space containing the series
of boxes. Kruas is taking the space within the boxes and reproducing it through
light into a space that the viewer can inhabit; she is making us aware of a
space that we are not usually able to access. She is also taking the idea of an
infinite space, a box of mirrors, and representing it through light, the viewer
can see the lines of light growing weaker as they are reflected back and forth
on the walls of the box until they escape through the gaps in the box. I find
it very interesting that she was able to take a space and represent it through
a different medium in such a unique way. The light on the walls also gives the
illusion of space. The lines of light slowly join together at points on the
outer walls creating lines of perspective thus giving the illusion of a new
space extending out beyond the walls of the gallery. This can be seen in the
bottom two images.
Tuesday, 16 October 2012
Richard Sweeney
I have been researching Richard Sweeney’s work in relation
to my project “To Sense My Space”. I find it interesting that Sweeney’s work
deals with how objects occupy space and how one can manipulate materials to
make new spaces and shapes. From the
images below Sweeney’s exploration of space is apparent. In the first image we
can see how Sweeney has cut out a series of square objects and folded them so
that they stand vertically. Using these
shapes Sweeney is exploring positive and negative space and how shapes interact
with the space around them. The shadows created by the squares also become a
part of the sculpture. The shadows create another partial square that is now connected
back to the cut out shapes; this gives the illusion of a complete square. I
like the idea of using shadows or negative spaces around an object to create
new shapes in conjunction with the object.
The image below has an emphasis on lighting and colour. The
sculpture is illuminated from bellow which changes how we perceive the piece. Now
the vacant space left by the cut out shapes has become the focal point of the
sculpture. The orange light allows the vacant space to blend with the cut out
shapes as they now become similar in colour; this again creates new shapes in
the space.
The final piece below deals with how an object interacts
with the space around it. The paper sculpture delicately flows through the
middle of the stairwell occupying a space which is usually ignored and unused. With
this sculpture Sweeney makes the viewer aware of the space around them.
Monday, 15 October 2012
Week Four
Last week I continued my investigation into three
dimensional works. Above is a selection of work from my sketchbook and of
sculptures I have made. I began to explore the idea that how and where I place
the sculptures effects how the viewer perceives them. The original set I made
were placed on the ground with the base of sculptures on the floor however when
I placed them on a wall I changed the plane on which the sculptures are
positioned, the sculptures are no longer grounded by their base but rather by the
edge of the box. I was also able to turn the sculptures upside-down because the
sculptures no longer needed their base to stay upright. I also began to
experiment with different materials. I used different types of plastics to
create reflective and see-through pieces. Creating the sculptures in see-through
material may be very interesting as I can then create the illusion that the viewer
is looking at the sculpture in reverse or from behind. This week I plan to
explore more materials such as ceramics and plaster and I also want to create a
sculpture where the pieces are hanging in the air to again change the space the
sculptures reside in.
Tuesday, 9 October 2012
Robert Smithson
Here is a selection of work from the artist Robert Smithson.
These sculptures look at perspective and
the illusion of space which I find really interesting. Smithson makes us
question how we perceive space and the assumptions we make about space. The
first two pieces to the left are perfect examples of this. The reflections of
the mounds of debris create the illusion of space. The top image is very
interesting in that the mound has been separated into four sections divided by
mirrors, however the over flow of the soil joins up with the reflections so as
to create the illusion of a single, unified mound. The other two images deal
with issues of perspective. In the first image there are two points of perspective,
the overall series of sculptures moving back into the distance creates one
point of perspective but also each individual sculpture creates a point
perspective as the boxes shrink in size from lowest to highest. The bottom
image also deals with perspective. In the particular position the photo has
been taken the outline of the hexagonal shapes form a new structure, however if
you were to move around the sculpture you would only see the individual
hexagonal shapes and the illusion would be broken. In both of these sculptures
the viewer has to be in a certain place to get the full effect of the piece. I
think it’s a very interesting idea to create a sculpture that can only be
viewed from a certain space around it, this makes the viewer think about the
space they are in and how that relates to the sculpture.
Friday, 5 October 2012
Week Three
I began this week by studying and creating simple line
drawings based around optical illusions and optical art. I was exploring the ideas
of how we make assumptions about space based on our senses and how we can
easily alter how we perceive a space by manipulating our senses. Most optical
art has been made in 2D so I began to look at converting my two dimensional
ideas into sculptural pieces. I made small prototypes from paper and pen to
figure out how I would translate my ideas into three dimensional works. As you
can see from the selection of work above I have now moved on to making a series
of larger sculptures based off the same ideas. However the sculpture might only
work from certain viewpoints so I may need to bring the sculptures back to 2D
later on by photographing them. Next week I might also place the pieces in
certain spaces or in a certain order so that it might add to the illusion. I could
also use these sculptures and combine them with animation or film to make some
really interesting work.
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